Home / Products tagged “auction” / Page 196 auction Showing 11701–11760 of 15492 results Default sorting Sort by popularity Sort by latest Sort by price: low to high Sort by price: high to low LOT 252 BILL ELY, “OCTOBER GLORY”, WATERCOLOR, SIGNED BOTTOM RIGHT, FRAMED. 17 X 23 SIGHT SIZE LOT 252 BOSTON AND NEW YORK CENTRAL RAILROAD COMPANY STOCK/BOND CERTIFICATE WITH COUPONS INTACT, 1854, DUE 1874, UNFRAMED, 25” X 15-1/2” LOT 252 CROCHETED BEDSPREAD SQUARE PINWHEEL PATTERN. 86 X 103 LOT 252 EARLY 6-BOARD BLANKET CHEST WITH COTTER PIN HINGES (1 MISSING) AND TILL. 18-3/4”(H), 42”(W), 17-1/2”(D) LOT 252 ELEVEN ROYAL WORCESTER PLATES IN THE “PATRICIA” PATTERN. 8”(D) LOT 252 ELIZABETH CATLETT “REBOZOS’ LITHOGRAPH, SIGNED AND DATED ’68 LOWER RIGHT, NUMBERED 45/50 AND TITLED LOWER LEFT, FRAMED, 13-1/4 X 10-1/2 SIGHT SIZE LOT 252 FOLDER OF 27 PEN AND INK LINE DRAWINGS OF VARIOUS SUBJECTS, UNSIGNED, UNFRAMED, UNMATTED, LARGEST 11 X 15 (C) LOT 252 FRAMED POSTER, “THE ECHO”, WILL H. BRADLEY ARTIST, 20 X 13 SIGHT SIZE LOT 252 FRANCIS D. ALBERTI, 14 WORKS MOSTLY INVOLVING ILLUSTRATIONS FOR “THE EXPONENT”, GREENFIELD 1921, LARGEST 18” (H), 12” (L) LOT 252 FRANCIS D. ALBERTI, 21 COLORED CHARACTER SKETCHES OF FAMOUS PEOPLE OF THE EARLY 20TH CENTURY INCLUDING: W. M. RANDOLF HEARST, ALDOUS HUXLEY, MRS ROOSEVELT AND KING GEORGE VI; UNFRAMED, SIGNED LOWER RIGHT, 18-1/2” (H), 12-1/2” (L) LOT 252 JACK PAUL MAROON, LONDON, STREET CLEANER, OIL ON CANVAS, SIGNED LOWER LEFT, TITLED ON REVERSE, SIMPLE OUTLINE FRAME, 15-1/2 X 11. DIRECTLY FROM THE ARTIST’S FAMILY LOT 252 JENS CHRISTIAN BENNEDSEN, WINTER STREAM, OIL ON CANVAS, SIGNED BOTTOM RIGHT, FRAMED. 13-1/2 X 10-1/2 LOT 252 MARGARET PHILBRICK, “ROADSIDE”, COLOR LITHOGRAPH ARTIST PROOF, SIGNED LOWER RIGHT. 18-3/4 X 25-3/4 SIGHT SIZE LOT 252 MEREDITH WEISS, BLACK SHAPES AMONGST COLOR, ETCHING, PROOF, SIGNED ON REVERSE, MATTED, UNFRAMED. 11-1/4 X 17-1/4 SIGHT SIZE LOT 252 MODERN ORIENTAL SCATTER RUG WITH IVORY FIELD. 2.6 X 4.7 LOT 252 NEW MODERN ORIENTAL RUG WITH GREEN FIELD. 6.8 X 9.9 LOT 252 NONA HATAY, TINA TURNER, ARCHIVAL GICLEE PRINT, SIGNED LOWER LEFT, FRAMED. 10-1/2 X 13-1/2 LOT 252 ORIENTAL MAT WITH FLORAL MOTIF OVER A CREAM FIELD. 2.5 X 3.11 LOT 252 ORIENTAL SCATTER RUG WITH LIGHT BLUE FIELD. 3.1 X 5 LOT 252 PAIR OF ELECTRIFIED BRASS HALL SCONCES, 3-BRANCH. 16″(H), 17″(W) LOT 252 PAIR OF MAHOGANY SIDE CHAIRS WITH OVER-UPHOLSTERED STRIPED SEATS. 35-1/2″(H) LOT 252 PAUL BERTHON, DUTCH QUEEN WILHELMINA, LITHOGRAPH, SIGNED IN PLATE UPPER LEFT, FRAMED. 15 X 13-1/2 SIGHT SIZE LOT 252 PAUL KLEE, “SINBAD – THE SAILOR”, UNSIGNED, EDITION 197/250, COPYRIGHT GALLERY PICTURE CO. INC NY, UNFRAMED. 20 X 26 LOT 252 PAUL KLEE, “SINBAD – THE SAILOR”, UNSIGNED, EDITION 197/250, COPYRIGHT GALLERY PICTURE CO. INC NY, UNFRAMED. 20 X 26 LOT 252 REVERSE PAINTED TABLE LAMP BY PITTSBURG LAMP BRASS & LAMP CO, WHITE SHADE DECORATED WITH MOSS ROSE. 19-1/4”(H), 12”(D) SHADE LOT 252 RICHARD JAMES DOYLE, ‘THE ONION FIELD’, L.E. LITHOGRAPH, 548/985, PENCIL SIGNED LOWER RIGHT, FRAMED. 22 X 17-1/2 SIGHT SIZE LOT 252 SEYMOUR FOGEL, INTERTWINED BODIES, INK AND WATERCOLOR, UNSIGNED BUT HAVING AN ESTATE LABEL ON REVERSE, FRAMED. 4″ X 2″ SIGHT SIZE LOT 252 SIGNED, CASTLE ALONG THE WATER, WATERCOLOR, SIGNED ILLEGIBLY BOTTOM RIGHT AND DATED 1926, FRAMED. 11 X 15-1/2 SIGHT SIZE LOT 252 TWO 1978-1980 HESS TRAINING VAN IN BOX LOT 252 TWO AFRICAN WOOD CARVINGS: (1) SNAKE, 26-1/2″. (2) CROCODILE, 21-1/2″ LOT 252 TWO BUDDY L TRUCKS: (1) ORANGE HIGHWAY MAINTENANCE DUMP TRUCK (13-1/2″L). (2) “REPAIR IT” TOW TRUCK (16-1/2″L) LOT 252 TWO MAHOGANY OGEE SHELF CLOCKS, 25-1/2” (H) SETH THOMAS AND 26” (H) MARSH, TIME & STRIKE, KEYS AND PENDULUMS PRESENT, MISSING TWO WEIGHTS LOT 252 TWO MAHOGANY OGEE SHELF CLOCKS, 25-1/2” (H) SETH THOMAS AND 26” (H) MARSH, TIME & STRIKE, KEYS AND PENDULUMS PRESENT, MISSING TWO WEIGHTS LOT 252 TWO PIECES OF STUDIO POTTERY, 8”(H) JAR AND 9”(H) HANDLED BASKET, BOTH SIGNED WITH ARTIST CYPHER LOT 252 UNFRAMED POSTER: “JOSEF ALBERS-HOMAGE TO THE SQUARE- YALE UNIVERSITY ART GALLERY” 27-1/2 X 23 LOT 252 UNSIGNED, “MONALISA”, OIL ON WOOD PANEL, FRAMED. 42-3/4 X 42 LOT 252 UNSIGNED, “MONALISA”, OIL ON WOOD PANEL, FRAMED. 42-3/4 X 42 LOT 252 VIRGINIA HANSON, NUDE OUTLINE, WOODBLOCK PRINT, L.E. 4/40, SIGNED LOWER LEFT, FRAMED. 6-1/2 X 6-1/2 SIGHT SIZE LOT 253 AFRICAN CARVED WOOD CROCODILE, 24″(L) LOT 253 AFTER F. VON SCHEIDL, 4 BOTANICALS, FRAMED IDENTICALLY, ENGRAVINGS WITH COLORING, PLATES 47, 183, 438 & 450. 17 X 8 SIGHT SIZE LOT 253 ANTIQUE HOOKED RUG WITH 3 ROSE CENTER SURROUNDED BY LEAVES AND A RED BORDER. 2.9 X 4.8 LOT 253 ASSORTED LOT OF JEWELRY INCLUDING 3 GLASS RINGS, BEADS, BRACELETS AND A POCKETWATCH LOT 253 BARBARA ROSENBAUM, “BURNT OUT”, L.E. 1/3 PRINT, SIGNED LOWER RIGHT, FRAMED. 18-1/2 X 18 SIGHT SIZE LOT 253 BARBARA ROSENBAUM, “BURNT OUT”, L.E. 1/3 PRINT, SIGNED LOWER RIGHT, FRAMED. 18-1/2 X 18 SIGHT SIZE LOT 253 BEN DRABECK, IMPRESSIONISTIC LANDSCAPE, OIL ON CANVAS, UNSIGNED, UNFRAMED. 20 X 30 LOT 253 BILL ELY, “OLD FARM”, PEN & WATERCOLOR, SIGNED BOTTOM RIGHT, FRAMED. 9-1/4 X 13-1/4 SIGHT SIZE LOT 253 CONTEMPORARY JAPANESE WAR HORSE TANG DYNASTY REPLICA ON WOOD BASE. 10-1/2″(H), 12″(L) LOT 253 CROCHETED FLOWER DESIGN TABLECLOTH. 60 X 79 LOT 253 CROSBY, ABSTRACT LANDSCAPE, BLACK & RED PEN & INK, SIGNED LOWER RIGHT AND DATED 1964, UNFRAMED. 20-1/4 X 25 LOT 253 CROSBY, ABSTRACT LANDSCAPE, BLACK & RED PEN & INK, SIGNED LOWER RIGHT AND DATED 1964, UNFRAMED. 20-1/4 X 25 LOT 253 EMBROIDERED CHASUBLE CAPE WITH SHEEP AND FANCY GOLD COLORED EMBROIDERY, 28” X 22” LOT 253 FOLDER OF 22 PENCIL DRAWINGS OF PEOPLE, UNSIGNED, UNFRAMED, UNMATTED, LARGEST 9 X 8 (Z) LOT 253 FOUR ANTIQUE IDENTIFIED SILHOUETTES FROM THE MILLER FAMILY. 5-3/4 X 4-1/4 LOT 253 FOUR-FOLD ORIENTAL SCREEN WITH APPLIED BONE DECORATION OF BIRDS AND BRANCHES, THE FRAME IS PIERCED CARVED ON UPPER SECTION, EACH PANEL 36″(H) 11″(W) LOT 253 FRAMED ART NOUVEAU POSTER FOR “THE CHAP BOOK (THE PIPES)” BY WILLIAM HENRY BRADLEY, LITHOGRAPH, 1895. 21 X 14-1/4 SIGHT SIZE LOT 253 FRANCIS D. ALBERTI, 14 WORKS MOSTLY INVOLVING ILLUSTRATIONS FOR “THE EXPONENT”, GREENFIELD 1921, LARGEST 18” (H), 12” (L) LOT 253 FRANCIS D. ALBERTI, 33 WORKS, PEN AND INK AND OTHERS INCLUDING: “CRAP GAME” IN COLOR, SIGNED, 7-1/2” (H), 9” (L), ALSO A CARICATURE OF FATHER DEVINE, LARGEST 20-1/2” (H), 15” (L) LOT 253 GRAHAM GERCKEN, “AFTERNOON LIGHT COX RIVER, AUSTRALIA”, OIL ON BOARD, SIGNED LOWER RIGHT, FRAMED. 16 X 20 LOT 253 HEAVY IRON SCULPTURE, FREE FORM SIGNED “R.H. AVERY”. 8-1/2″(H) LOT 253 HELEN MARSHALL, WINTER AT THE BOAT HOUSE, OIL ON BOARD, SIGNED LOWER LEFT, FRAMED. 8 X 10 ← 1 2 3 … 193 194 195 196 197 198 199 … 257 258 259 →
