Home / Products tagged “auction” / Page 168 auction Showing 10021–10080 of 13048 results Default sorting Sort by popularity Sort by latest Sort by price: low to high Sort by price: high to low LOT 253 SAROUK ROOM SIZE ORIENTAL RUG WITH RED FIELD. 8.10 X 11.9 LOT 253 SHERATON DROP LEAF TABLE WITH 1 DRAWER AND SPIRAL TURNED LEGS. 29-1/4″(H), 36″(D), 19-1/4″(W), OPEN: 50-1/4″ LOT 253 SIGNED (POSSIBLY IRVING MARANTZ), 3 LADIES, OIL ON MASONITE, SIGNED INDISTINCTLY LOWER RIGHT AND DATED ’49, IDENTIFIED ON REVERSE “MORANTZ, SANTA FE, N.M.”, FRAMED. 14 X 11-1/2 LOT 253 SIGNED, TEMPLE WITH 2 SPIRES, WATERCOLOR, SIGNED ILLEGIBLY BOTTOM RIGHT AND DATED 1936, FRAMED. 17-1/2 X 11-1/2 SIGHT SIZE LOT 253 TWO 1982-1983 THE FIRST HESS TRUCK IN BOX LOT 253 UNFRAMED POSTER: “ROOTS OF ABSTRACT ART IN AMERICA 1910-1930” 1966. 38-1/2 X 26 LOT 253A OVERSIZED ROOM SIZE ORIENTAL CARPET FROM INDIA, THICK PILE, CENTER MEDALLION AND RED FIELD WITH 10 BORDERS. FROM A FINE AMHERST MA HOME, 12.2 X 19.2, SIGNED LOT 254 3 ESKIMO STONE CARVINGS: (1) BIRD, 4-1/4″(H) (BEAK DAMAGE). (2) ESKIMO WITH SEAL, 5-1/4″(H). (3) PENGUIN, 2-1/2″(H) LOT 254 ANTIQUE YARN WINDER IN RED PAINT. 38″(H), 24″(D) LOT 254 BILL ELY, “A DAY IN MAY”, WATERCOLOR, SIGNED LOWER RIGHT, FRAMED. 9-1/2 X 13-1/2 SIGHT SIZE LOT 254 CHARLES BIGELOW, “BORIS’S CABIN”, OIL ON CANVAS, SIGNED LOWER RIGHT, FRAMED. 8 X 10 LOT 254 CHERRY HEPPLEWHITE PEMBROKE TABLE WITH SHAPED TOP AND DARK FINISH. 27-1/2″(H), 35″(D), 20″(W), OPEN: 36″ LOT 254 CROCHETED BEDSPREAD HEXAGON STAR. 70 X 93 LOT 254 CURTIS JERE METAL WALL SCULPTURE WITH OVAL SUNBURST AND FLYING GEESE, UNSIGNED. 20″ X 38″ LOT 254 DORISE OLSON (MINA-MORA), BARN AND FENCE IN SNOW, WATERCOLOR, SIGNED LOWER LEFT, FRAMED. 11 X 13 SIGHT SIZE LOT 254 EIGHT STRAP HINGES (LARGEST 35″) AND FIREPLACE CRANE LOT 254 FOLDER OF 148 PEN AND INK LINE DRAWINGS, VARIETY OF SUBJECTS, SOME SIGNED, UNFRAMED, UNMATTED, LARGEST 8 X 11 (BB) LOT 254 FRAMED CURRIER AND IVES LARGE FOLIO LITHOGRAPH, “MR. BONNER’S HORSE JOE ELLIOT, DRIVEN BY J. BOWEN”. 24 X 31-1/2 SIGHT SIZE LOT 254 FRAMED PHOTOGRAPHIC PRINT OF A VINTAGE SAILING YACHT 18 X 24-1/2 SIGHT SIZE LOT 254 FRAMED POSTER “PORTO RAMOS PINTO” BY RENE VINCENT, PRINTED BY VERCASSON OF PARIS, LITHOGRAPH 1925 ORIGINAL. 20 X 14 SIGHT SIZE LOT 254 FRAMED SILHOUETTE “MUSIC HATH CHARMS”, HAVING A WATERCOLOR BACKGROUND, UNSIGNED, FRAMED, 6 X 4 SIGHT SIZE LOT 254 FRANCIS D. ALBERTI, 33 WORKS, PEN AND INK AND OTHERS INCLUDING: “CRAP GAME” IN COLOR, SIGNED, 7-1/2” (H), 9” (L), ALSO A CARICATURE OF FATHER DEVINE, LARGEST 20-1/2” (H), 15” (L) LOT 254 JACK PAUL MAROON, ‘BONTEMPS’, OIL ON CANVAS, SIGNED LOWER LEFT, TITLED ON REVERSE, SIMPLE OUTLINE FRAME, 40 X 30. DIRECTLY FROM THE ARTIST’S FAMILY LOT 254 MARJORIE CLARKE, “GENERAL ULYSSES S. GRANT AT VICKSBURG”, OIL ON CANVAS, SIGNED LOWER LEFT, FRAMED. 20 X 24 LOT 254 RICHARD IRVING BOWMAN, WOMAN WITH BROWN HAIR, OIL ON CANVAS, SIGNED CENTER MIDDLE “R. BOWMAN ’43”, FRAMED. 24 X 18 LOT 254 ROBERT W. MALLARY, “SUMMER HAZE”, LITHOGRAPH, PENCIL SIGNED AND NUMBERED 7/20 BOTTOM RIGHT, UNFRAMED. 30 X 22-1/4 LOT 254 ROBERT W. MALLARY, “SUMMER HAZE”, LITHOGRAPH, PENCIL SIGNED AND NUMBERED 7/20 BOTTOM RIGHT, UNFRAMED. 30 X 22-1/4 LOT 254 ROOM SIZE ORIENTAL RUG WITH RED FIELD, CENTER MEDALLION AND ALL-OVER PATTERN. 9 X 13.1 LOT 254 SALINSKY, “CHIRICAHUA”, INTAGLIO PRINT IN YELLOW, SIGNED IN PENCIL, LIMITED EDITION A/P, FRAMED. 38 X 19 SIGHT SIZE LOT 254 SALINSKY, “CHIRICAHUA”, INTAGLIO PRINT IN YELLOW, SIGNED IN PENCIL, LIMITED EDITION A/P, FRAMED. 38 X 19 SIGHT SIZE LOT 254 SIGNED, BOATS ON A RIVER WITH TEMPLES ON THE FAR SHORE, WATERCOLOR, SIGNED LOWER RIGHT C. VOHIT?, FRAMED. 9-1/2 X 15-1/2 SIGHT SIZE LOT 254 STRYL, WOMAN PORTRAIT, WATERCOLOR SIGNED CENTER BOTTOM, FRAMED, 9-1/2″ X 7″ SIGHT SIZE LOT 254 STYLIZED LYRE FORM ARMCHAIR HAVING SPINDLE SIDES AND 4 CLAW FEET ON CASTERS. 33″(H), 24″(W) 19″(D) LOT 254 TADASHI ASOMA, “LILY POND IN SUMMER”, LITHOGRAPH, SIGNED IN PLATE LOWER RIGHT, FRAMED. 27 X 27 SIGHT SIZE LOT 254 THREE ANTIQUE SILHOUETTES,: (1) WOMAN WITH WATERCOLOR HIGHLIGHTS, 3-1/2″(H), 2-3/4″(W) SIGHT SIZE. (2) MAN IDENTIFIED AS DR. S.P.C. HENKIE 1817. (3) MAN IDENTIFIED AS REV. DR. PHILIPS HINKEL 1756. 5-1/2 X 4-1/4 LOT 254 TWO 1984 HESS TOY TRUCK BANK IN BOX LOT 254 TWO PCS CARVED ORIENTAL SOAPSTONE: (1) STANDING MAN ON ONE FOOT, 5-3/4″(H). (2) MAN WITH VASE AND BLACK BEARD, 3-3/4″(H), 6-1/2″(L) LOT 254 TWO UNSIGNED ART GLASS VASES IN COLORS OF RED & YELLOW, ONE WITH BLACK STRIPES. 12” & 11”(H) LOT 254 UNFRAMED POSTER: 2ND NATIONAL EXHIBITION OF COLOR IN GRAPHIC ART DESIGNED BY LITHUANIAN ARTIST, STASY EIDRIGEVICIUS , POLAND 1985. 38 X 26-1/2 LOT 254 UNSIGNED, NEW ENGLAND LANDSCAPE, OIL ON CANVAS, FRAMED, 24 X 36 LOT 254 UNSIGNED, NEW ENGLAND LANDSCAPE, OIL ON CANVAS, FRAMED, 24 X 36 LOT 254 WEISS FAMILY (MILDRED OR MEREDITH), SHAPES WITH DUST IN COLORS, ETCHING, PROOF, UNSIGNED, MATTED WITH PLASTIC FRAME. 17-1/4 X 11-1/4 SIGHT SIZE. DIRECTLY FROM THE ARTIST’S ESTATE LOT 254 WILLIAM BLAKE, “SO THE LORD BLESSED THE LATTER END OF JOB MORE THAN THE BEGINNING”, 1825, ENGRAVING, FRAMED, 8″ X 6″ IMAGE SIZE, OVERALL SIGHT SIZE 19-3/4 X 12-1/2 LOT 255 CHERRY HEPPLEWHITE PEMBROKE TABLE WITH SHAPED TOP AND DARK FINISH. 27-1/2″(H), 35″(D), 20″(W), OPEN: 36″ LOT 255 CHIPPENDALE CHAIR WITH TAPESTRY SEAT (RESTORED). 39″(H) LOT 255 DON SWANN, ‘THE WASHINGTON CAPITOL AT NIGHT’, ETCHING, 9/150, SIGNED BOTTOM RIGHT, FRAMED. 7-1/4 X 5-1/4 SIGHT SIZE LOT 255 FRAMED CURRIER & IVES LITHOGRAPH, “BEST TIME ON RECORD. THREE HEATS…”, JUDGE FULLERTON & GOLDSMITH MAID” 12-1/2 X 16-1/2 SIGHT SIZE LOT 255 FRENCH 2 COLOR MARBLE MANTEL CLOCK, TIME & STRIKE, OPEN BRIDGE ESCAPEMENT, PENDULUM & KEY PRESENT. 9-1/2″(H), 13-3/4″(W), 5-1/2″(D) LOT 255 HEAVILY CARVED ANTIQUE ASIAN 3-SIDED BED. 81″(H), 104″(W), 60″(D) LOT 255 HEPPLEWHITE LIFT TOP DESK WITH GALLERY TOP AND SQUARE TAPERED LEGS. 32″(H), 33″(W), 21-1/2″(D) LOT 255 HOLLOW CUT PORTRAIT SILHOUETTE OF A WOMAN BY CHARLES WILSON PEALE, FRAMED, UNSIGNED, “MUSEUM” IMPRESSED PAPER. 3-1/4 X 2-1/2 SIGHT SIZE LOT 255 JACK DANIELS STORE DISPLAY FIGURE OF JACK DANIELS WITH “BILLY JOEL” SIGNATURE. 33″(H) LOT 255 JACK PAUL MAROON, ‘THE GREEN HOUSE’, WATERCOLOR, SIGNED BOTTOM LEFT, (FROM A SERIES OF SPRINGFIELD, MA HOUSE PORTRAITS, #17), UNFRAMED, BUT MATTED, 13-1/2 X 21 SIGHT SIZE. DIRECTLY FROM THE ARTIST’S FAMILY LOT 255 JOHN B. ARAGON, “BLUE SKY”, WATERCOLOR, SIGNED ON REVERSE, FRAMED. 2-1/2 X 6-1/2 SIGHT SIZE LOT 255 LARGE FRAMED HAND PAINTED PHOTOGRAPH OF YELLOWSTONE’S GRAND CANYON POSSIBLY BY F. JAY HAYNES. 23-1/2 X 36-1/2. PAPER ON REVERSE “RETOUCHED BY MY JOSEPH FLEMING OF AMERICAN BANK NOTE CO. JANUARY 23RD 1903” LOT 255 LOUIS K. HARLOW, FOGGY SAILING DAY, SIGNED LOWER LEFT, FRAMED, 18-1/4” (H), 28-1/2” (L) SIGHT SIZE LOT 255 ONE HUNDRED FORTY-SIX PEN AND INK SKETCHES AROUND SPAIN LOT 255 RALPH D. MCLELLAN, PORTRAIT OF A YOUNG GIRL IN WHITE, OIL ON CANVAS, SIGNED UPPER LEFT, FRAMED. 36 X 24 LOT 255 ROBERT W. MALLARY, “GREY SKY”, COLOR LITHOGRAPH, PENCIL SIGNED LOWER RIGHT, TRIAL PROOF LOT 255 ROBERT W. MALLARY, “GREY SKY”, COLOR LITHOGRAPH, PENCIL SIGNED LOWER RIGHT, TRIAL PROOF ← 1 2 3 … 165 166 167 168 169 170 171 … 216 217 218 →
