Home / Products tagged “auction” / Page 143 auction Showing 8521–8580 of 11101 results Default sorting Sort by popularity Sort by latest Sort by price: low to high Sort by price: high to low LOT 253 EMBROIDERED CHASUBLE CAPE WITH SHEEP AND FANCY GOLD COLORED EMBROIDERY, 28” X 22” LOT 253 FOUR ANTIQUE IDENTIFIED SILHOUETTES FROM THE MILLER FAMILY. 5-3/4 X 4-1/4 LOT 253 FOUR-FOLD ORIENTAL SCREEN WITH APPLIED BONE DECORATION OF BIRDS AND BRANCHES, THE FRAME IS PIERCED CARVED ON UPPER SECTION, EACH PANEL 36″(H) 11″(W) LOT 253 FRAMED ART NOUVEAU POSTER FOR “THE CHAP BOOK (THE PIPES)” BY WILLIAM HENRY BRADLEY, LITHOGRAPH, 1895. 21 X 14-1/4 SIGHT SIZE LOT 253 FRANCIS D. ALBERTI, 14 WORKS MOSTLY INVOLVING ILLUSTRATIONS FOR “THE EXPONENT”, GREENFIELD 1921, LARGEST 18” (H), 12” (L) LOT 253 FRANCIS D. ALBERTI, 33 WORKS, PEN AND INK AND OTHERS INCLUDING: “CRAP GAME” IN COLOR, SIGNED, 7-1/2” (H), 9” (L), ALSO A CARICATURE OF FATHER DEVINE, LARGEST 20-1/2” (H), 15” (L) LOT 253 GRAHAM GERCKEN, “AFTERNOON LIGHT COX RIVER, AUSTRALIA”, OIL ON BOARD, SIGNED LOWER RIGHT, FRAMED. 16 X 20 LOT 253 HEAVY IRON SCULPTURE, FREE FORM SIGNED “R.H. AVERY”. 8-1/2″(H) LOT 253 HELEN MARSHALL, WINTER AT THE BOAT HOUSE, OIL ON BOARD, SIGNED LOWER LEFT, FRAMED. 8 X 10 LOT 253 JACK PAUL MAROON, COLORFUL WOODS, OIL ON CANVAS, SIGNED IN PENCIL LIGHTLY ON REVERSE OF CANVAS, SIMPLE OUTLINE FRAME, EARLY WORK, 30 X 24. DIRECTLY FROM THE ARTIST’S FAMILY LOT 253 LARGE POTTERY UMBRELLA STAND ROYAL BONN TYPE DECORATED WITH FLOWERS 26”(H) LOT 253 LEADED GLASS TABLE LAMP, AMBER AND WHITE COLORS, 21” (H), 17” (D) LOT 253 LOTTIE MEYER CATOK, GIRL IN BLUE, OIL ON CANVAS, SIGNED LOWER RIGHT, FRAMED. 24 X 20 LOT 253 MARGARET PHILBRICK, “TARPON BAY MARINA”, LE LITHOGRAPH, 6/40, SIGNED LOWER RIGHT, FRAMED. 23 X 33 SIGHT SIZE LOT 253 MODERN OCTAGON DECORATIVE WOOD STAND. 19-1/2″(H), TOP 25 X 25 LOT 253 OVAL QUEEN ANNE STYLE OVAL STAND. 25″(H), TOP: 26 X 13 LOT 253 PAIR OF 3-BRANCH BRASS CANDLE WALL SCONCES. 13″(H), 14″(W) LOT 253 PAIR OF LARGE ROSEVILLE 2-HANDLED VASES, 99-16, MAGNOLIA IN BROWN/GREEN. (1 REPAIRED AND CHIPPED) LOT 253 RON ROSENSTOCK, INTERIOR ALCOVE, BLACK AND WHITE PHOTOGRAPH, SIGNED ON MAT LOWER RIGHT AND DATED 1978, FRAMED, 11-1/4 X 8-1/2 SIGHT SIZE LOT 253 SAROUK ROOM SIZE ORIENTAL RUG WITH RED FIELD. 8.10 X 11.9 LOT 253 SHERATON DROP LEAF TABLE WITH 1 DRAWER AND SPIRAL TURNED LEGS. 29-1/4″(H), 36″(D), 19-1/4″(W), OPEN: 50-1/4″ LOT 253 SIGNED, TEMPLE WITH 2 SPIRES, WATERCOLOR, SIGNED ILLEGIBLY BOTTOM RIGHT AND DATED 1936, FRAMED. 17-1/2 X 11-1/2 SIGHT SIZE LOT 253A OVERSIZED ROOM SIZE ORIENTAL CARPET FROM INDIA, THICK PILE, CENTER MEDALLION AND RED FIELD WITH 10 BORDERS. FROM A FINE AMHERST MA HOME, 12.2 X 19.2, SIGNED LOT 254 3 ESKIMO STONE CARVINGS: (1) BIRD, 4-1/4″(H) (BEAK DAMAGE). (2) ESKIMO WITH SEAL, 5-1/4″(H). (3) PENGUIN, 2-1/2″(H) LOT 254 ANTIQUE YARN WINDER IN RED PAINT. 38″(H), 24″(D) LOT 254 BILL ELY, “A DAY IN MAY”, WATERCOLOR, SIGNED LOWER RIGHT, FRAMED. 9-1/2 X 13-1/2 SIGHT SIZE LOT 254 CHARLES BIGELOW, “BORIS’S CABIN”, OIL ON CANVAS, SIGNED LOWER RIGHT, FRAMED. 8 X 10 LOT 254 CHERRY HEPPLEWHITE PEMBROKE TABLE WITH SHAPED TOP AND DARK FINISH. 27-1/2″(H), 35″(D), 20″(W), OPEN: 36″ LOT 254 CROCHETED BEDSPREAD HEXAGON STAR. 70 X 93 LOT 254 CURTIS JERE METAL WALL SCULPTURE WITH OVAL SUNBURST AND FLYING GEESE, UNSIGNED. 20″ X 38″ LOT 254 DORISE OLSON (MINA-MORA), BARN AND FENCE IN SNOW, WATERCOLOR, SIGNED LOWER LEFT, FRAMED. 11 X 13 SIGHT SIZE LOT 254 EIGHT STRAP HINGES (LARGEST 35″) AND FIREPLACE CRANE LOT 254 FRAMED CURRIER AND IVES LARGE FOLIO LITHOGRAPH, “MR. BONNER’S HORSE JOE ELLIOT, DRIVEN BY J. BOWEN”. 24 X 31-1/2 SIGHT SIZE LOT 254 FRAMED PHOTOGRAPHIC PRINT OF A VINTAGE SAILING YACHT 18 X 24-1/2 SIGHT SIZE LOT 254 FRAMED POSTER “PORTO RAMOS PINTO” BY RENE VINCENT, PRINTED BY VERCASSON OF PARIS, LITHOGRAPH 1925 ORIGINAL. 20 X 14 SIGHT SIZE LOT 254 FRAMED SILHOUETTE “MUSIC HATH CHARMS”, HAVING A WATERCOLOR BACKGROUND, UNSIGNED, FRAMED, 6 X 4 SIGHT SIZE LOT 254 FRANCIS D. ALBERTI, 33 WORKS, PEN AND INK AND OTHERS INCLUDING: “CRAP GAME” IN COLOR, SIGNED, 7-1/2” (H), 9” (L), ALSO A CARICATURE OF FATHER DEVINE, LARGEST 20-1/2” (H), 15” (L) LOT 254 JACK PAUL MAROON, ‘BONTEMPS’, OIL ON CANVAS, SIGNED LOWER LEFT, TITLED ON REVERSE, SIMPLE OUTLINE FRAME, 40 X 30. DIRECTLY FROM THE ARTIST’S FAMILY LOT 254 MARJORIE CLARKE, “GENERAL ULYSSES S. GRANT AT VICKSBURG”, OIL ON CANVAS, SIGNED LOWER LEFT, FRAMED. 20 X 24 LOT 254 ROOM SIZE ORIENTAL RUG WITH RED FIELD, CENTER MEDALLION AND ALL-OVER PATTERN. 9 X 13.1 LOT 254 SALINSKY, “CHIRICAHUA”, INTAGLIO PRINT IN YELLOW, SIGNED IN PENCIL, LIMITED EDITION A/P, FRAMED. 38 X 19 SIGHT SIZE LOT 254 SALINSKY, “CHIRICAHUA”, INTAGLIO PRINT IN YELLOW, SIGNED IN PENCIL, LIMITED EDITION A/P, FRAMED. 38 X 19 SIGHT SIZE LOT 254 SIGNED, BOATS ON A RIVER WITH TEMPLES ON THE FAR SHORE, WATERCOLOR, SIGNED LOWER RIGHT C. VOHIT?, FRAMED. 9-1/2 X 15-1/2 SIGHT SIZE LOT 254 STRYL, WOMAN PORTRAIT, WATERCOLOR SIGNED CENTER BOTTOM, FRAMED, 9-1/2″ X 7″ SIGHT SIZE LOT 254 STYLIZED LYRE FORM ARMCHAIR HAVING SPINDLE SIDES AND 4 CLAW FEET ON CASTERS. 33″(H), 24″(W) 19″(D) LOT 254 TADASHI ASOMA, “LILY POND IN SUMMER”, LITHOGRAPH, SIGNED IN PLATE LOWER RIGHT, FRAMED. 27 X 27 SIGHT SIZE LOT 254 THREE ANTIQUE SILHOUETTES,: (1) WOMAN WITH WATERCOLOR HIGHLIGHTS, 3-1/2″(H), 2-3/4″(W) SIGHT SIZE. (2) MAN IDENTIFIED AS DR. S.P.C. HENKIE 1817. (3) MAN IDENTIFIED AS REV. DR. PHILIPS HINKEL 1756. 5-1/2 X 4-1/4 LOT 254 TWO PCS CARVED ORIENTAL SOAPSTONE: (1) STANDING MAN ON ONE FOOT, 5-3/4″(H). (2) MAN WITH VASE AND BLACK BEARD, 3-3/4″(H), 6-1/2″(L) LOT 254 TWO UNSIGNED ART GLASS VASES IN COLORS OF RED & YELLOW, ONE WITH BLACK STRIPES. 12” & 11”(H) LOT 254 UNSIGNED, NEW ENGLAND LANDSCAPE, OIL ON CANVAS, FRAMED, 24 X 36 LOT 254 UNSIGNED, NEW ENGLAND LANDSCAPE, OIL ON CANVAS, FRAMED, 24 X 36 LOT 254 WEISS FAMILY (MILDRED OR MEREDITH), SHAPES WITH DUST IN COLORS, ETCHING, PROOF, UNSIGNED, MATTED WITH PLASTIC FRAME. 17-1/4 X 11-1/4 SIGHT SIZE. DIRECTLY FROM THE ARTIST’S ESTATE LOT 254 WILLIAM BLAKE, “SO THE LORD BLESSED THE LATTER END OF JOB MORE THAN THE BEGINNING”, 1825, ENGRAVING, FRAMED, 8″ X 6″ IMAGE SIZE, OVERALL SIGHT SIZE 19-3/4 X 12-1/2 LOT 255 CHERRY HEPPLEWHITE PEMBROKE TABLE WITH SHAPED TOP AND DARK FINISH. 27-1/2″(H), 35″(D), 20″(W), OPEN: 36″ LOT 255 CHIPPENDALE CHAIR WITH TAPESTRY SEAT (RESTORED). 39″(H) LOT 255 DON SWANN, ‘THE WASHINGTON CAPITOL AT NIGHT’, ETCHING, 9/150, SIGNED BOTTOM RIGHT, FRAMED. 7-1/4 X 5-1/4 SIGHT SIZE LOT 255 FRAMED CURRIER & IVES LITHOGRAPH, “BEST TIME ON RECORD. THREE HEATS…”, JUDGE FULLERTON & GOLDSMITH MAID” 12-1/2 X 16-1/2 SIGHT SIZE LOT 255 FRENCH 2 COLOR MARBLE MANTEL CLOCK, TIME & STRIKE, OPEN BRIDGE ESCAPEMENT, PENDULUM & KEY PRESENT. 9-1/2″(H), 13-3/4″(W), 5-1/2″(D) LOT 255 HEAVILY CARVED ANTIQUE ASIAN 3-SIDED BED. 81″(H), 104″(W), 60″(D) LOT 255 HEPPLEWHITE LIFT TOP DESK WITH GALLERY TOP AND SQUARE TAPERED LEGS. 32″(H), 33″(W), 21-1/2″(D) ← 1 2 3 … 140 141 142 143 144 145 146 … 184 185 186 →
