Home / Products tagged “auction” / Page 139 auction Showing 8281–8340 of 10803 results Default sorting Sort by popularity Sort by latest Sort by price: low to high Sort by price: high to low LOT 253 RON ROSENSTOCK, INTERIOR ALCOVE, BLACK AND WHITE PHOTOGRAPH, SIGNED ON MAT LOWER RIGHT AND DATED 1978, FRAMED, 11-1/4 X 8-1/2 SIGHT SIZE LOT 253 SAROUK ROOM SIZE ORIENTAL RUG WITH RED FIELD. 8.10 X 11.9 LOT 253 SHERATON DROP LEAF TABLE WITH 1 DRAWER AND SPIRAL TURNED LEGS. 29-1/4″(H), 36″(D), 19-1/4″(W), OPEN: 50-1/4″ LOT 253 SIGNED, TEMPLE WITH 2 SPIRES, WATERCOLOR, SIGNED ILLEGIBLY BOTTOM RIGHT AND DATED 1936, FRAMED. 17-1/2 X 11-1/2 SIGHT SIZE LOT 254 3 ESKIMO STONE CARVINGS: (1) BIRD, 4-1/4″(H) (BEAK DAMAGE). (2) ESKIMO WITH SEAL, 5-1/4″(H). (3) PENGUIN, 2-1/2″(H) LOT 254 ANTIQUE YARN WINDER IN RED PAINT. 38″(H), 24″(D) LOT 254 BILL ELY, “A DAY IN MAY”, WATERCOLOR, SIGNED LOWER RIGHT, FRAMED. 9-1/2 X 13-1/2 SIGHT SIZE LOT 254 CHARLES BIGELOW, “BORIS’S CABIN”, OIL ON CANVAS, SIGNED LOWER RIGHT, FRAMED. 8 X 10 LOT 254 CHERRY HEPPLEWHITE PEMBROKE TABLE WITH SHAPED TOP AND DARK FINISH. 27-1/2″(H), 35″(D), 20″(W), OPEN: 36″ LOT 254 CROCHETED BEDSPREAD HEXAGON STAR. 70 X 93 LOT 254 CURTIS JERE METAL WALL SCULPTURE WITH OVAL SUNBURST AND FLYING GEESE, UNSIGNED. 20″ X 38″ LOT 254 DORISE OLSON (MINA-MORA), BARN AND FENCE IN SNOW, WATERCOLOR, SIGNED LOWER LEFT, FRAMED. 11 X 13 SIGHT SIZE LOT 254 EIGHT STRAP HINGES (LARGEST 35″) AND FIREPLACE CRANE LOT 254 FRAMED CURRIER AND IVES LARGE FOLIO LITHOGRAPH, “MR. BONNER’S HORSE JOE ELLIOT, DRIVEN BY J. BOWEN”. 24 X 31-1/2 SIGHT SIZE LOT 254 FRAMED PHOTOGRAPHIC PRINT OF A VINTAGE SAILING YACHT 18 X 24-1/2 SIGHT SIZE LOT 254 FRAMED POSTER “PORTO RAMOS PINTO” BY RENE VINCENT, PRINTED BY VERCASSON OF PARIS, LITHOGRAPH 1925 ORIGINAL. 20 X 14 SIGHT SIZE LOT 254 FRAMED SILHOUETTE “MUSIC HATH CHARMS”, HAVING A WATERCOLOR BACKGROUND, UNSIGNED, FRAMED, 6 X 4 SIGHT SIZE LOT 254 FRANCIS D. ALBERTI, 33 WORKS, PEN AND INK AND OTHERS INCLUDING: “CRAP GAME” IN COLOR, SIGNED, 7-1/2” (H), 9” (L), ALSO A CARICATURE OF FATHER DEVINE, LARGEST 20-1/2” (H), 15” (L) LOT 254 JACK PAUL MAROON, ‘BONTEMPS’, OIL ON CANVAS, SIGNED LOWER LEFT, TITLED ON REVERSE, SIMPLE OUTLINE FRAME, 40 X 30. DIRECTLY FROM THE ARTIST’S FAMILY LOT 254 MARJORIE CLARKE, “GENERAL ULYSSES S. GRANT AT VICKSBURG”, OIL ON CANVAS, SIGNED LOWER LEFT, FRAMED. 20 X 24 LOT 254 ROOM SIZE ORIENTAL RUG WITH RED FIELD, CENTER MEDALLION AND ALL-OVER PATTERN. 9 X 13.1 LOT 254 SALINSKY, “CHIRICAHUA”, INTAGLIO PRINT IN YELLOW, SIGNED IN PENCIL, LIMITED EDITION A/P, FRAMED. 38 X 19 SIGHT SIZE LOT 254 SALINSKY, “CHIRICAHUA”, INTAGLIO PRINT IN YELLOW, SIGNED IN PENCIL, LIMITED EDITION A/P, FRAMED. 38 X 19 SIGHT SIZE LOT 254 SIGNED, BOATS ON A RIVER WITH TEMPLES ON THE FAR SHORE, WATERCOLOR, SIGNED LOWER RIGHT C. VOHIT?, FRAMED. 9-1/2 X 15-1/2 SIGHT SIZE LOT 254 STYLIZED LYRE FORM ARMCHAIR HAVING SPINDLE SIDES AND 4 CLAW FEET ON CASTERS. 33″(H), 24″(W) 19″(D) LOT 254 TADASHI ASOMA, “LILY POND IN SUMMER”, LITHOGRAPH, SIGNED IN PLATE LOWER RIGHT, FRAMED. 27 X 27 SIGHT SIZE LOT 254 THREE ANTIQUE SILHOUETTES,: (1) WOMAN WITH WATERCOLOR HIGHLIGHTS, 3-1/2″(H), 2-3/4″(W) SIGHT SIZE. (2) MAN IDENTIFIED AS DR. S.P.C. HENKIE 1817. (3) MAN IDENTIFIED AS REV. DR. PHILIPS HINKEL 1756. 5-1/2 X 4-1/4 LOT 254 TWO PCS CARVED ORIENTAL SOAPSTONE: (1) STANDING MAN ON ONE FOOT, 5-3/4″(H). (2) MAN WITH VASE AND BLACK BEARD, 3-3/4″(H), 6-1/2″(L) LOT 254 TWO UNSIGNED ART GLASS VASES IN COLORS OF RED & YELLOW, ONE WITH BLACK STRIPES. 12” & 11”(H) LOT 254 UNSIGNED, NEW ENGLAND LANDSCAPE, OIL ON CANVAS, FRAMED, 24 X 36 LOT 254 UNSIGNED, NEW ENGLAND LANDSCAPE, OIL ON CANVAS, FRAMED, 24 X 36 LOT 254 WEISS FAMILY (MILDRED OR MEREDITH), SHAPES WITH DUST IN COLORS, ETCHING, PROOF, UNSIGNED, MATTED WITH PLASTIC FRAME. 17-1/4 X 11-1/4 SIGHT SIZE. DIRECTLY FROM THE ARTIST’S ESTATE LOT 254 WILLIAM BLAKE, “SO THE LORD BLESSED THE LATTER END OF JOB MORE THAN THE BEGINNING”, 1825, ENGRAVING, FRAMED, 8″ X 6″ IMAGE SIZE, OVERALL SIGHT SIZE 19-3/4 X 12-1/2 LOT 255 CHERRY HEPPLEWHITE PEMBROKE TABLE WITH SHAPED TOP AND DARK FINISH. 27-1/2″(H), 35″(D), 20″(W), OPEN: 36″ LOT 255 CHIPPENDALE CHAIR WITH TAPESTRY SEAT (RESTORED). 39″(H) LOT 255 DON SWANN, ‘THE WASHINGTON CAPITOL AT NIGHT’, ETCHING, 9/150, SIGNED BOTTOM RIGHT, FRAMED. 7-1/4 X 5-1/4 SIGHT SIZE LOT 255 FRAMED CURRIER & IVES LITHOGRAPH, “BEST TIME ON RECORD. THREE HEATS…”, JUDGE FULLERTON & GOLDSMITH MAID” 12-1/2 X 16-1/2 SIGHT SIZE LOT 255 FRENCH 2 COLOR MARBLE MANTEL CLOCK, TIME & STRIKE, OPEN BRIDGE ESCAPEMENT, PENDULUM & KEY PRESENT. 9-1/2″(H), 13-3/4″(W), 5-1/2″(D) LOT 255 HEAVILY CARVED ANTIQUE ASIAN 3-SIDED BED. 81″(H), 104″(W), 60″(D) LOT 255 HEPPLEWHITE LIFT TOP DESK WITH GALLERY TOP AND SQUARE TAPERED LEGS. 32″(H), 33″(W), 21-1/2″(D) LOT 255 HOLLOW CUT PORTRAIT SILHOUETTE OF A WOMAN BY CHARLES WILSON PEALE, FRAMED, UNSIGNED, “MUSEUM” IMPRESSED PAPER. 3-1/4 X 2-1/2 SIGHT SIZE LOT 255 JACK DANIELS STORE DISPLAY FIGURE OF JACK DANIELS WITH “BILLY JOEL” SIGNATURE. 33″(H) LOT 255 JACK PAUL MAROON, ‘THE GREEN HOUSE’, WATERCOLOR, SIGNED BOTTOM LEFT, (FROM A SERIES OF SPRINGFIELD, MA HOUSE PORTRAITS, #17), UNFRAMED, BUT MATTED, 13-1/2 X 21 SIGHT SIZE. DIRECTLY FROM THE ARTIST’S FAMILY LOT 255 JOHN B. ARAGON, “BLUE SKY”, WATERCOLOR, SIGNED ON REVERSE, FRAMED. 2-1/2 X 6-1/2 SIGHT SIZE LOT 255 LARGE FRAMED HAND PAINTED PHOTOGRAPH OF YELLOWSTONE’S GRAND CANYON POSSIBLY BY F. JAY HAYNES. 23-1/2 X 36-1/2. PAPER ON REVERSE “RETOUCHED BY MY JOSEPH FLEMING OF AMERICAN BANK NOTE CO. JANUARY 23RD 1903” LOT 255 LOUIS K. HARLOW, FOGGY SAILING DAY, SIGNED LOWER LEFT, FRAMED, 18-1/4” (H), 28-1/2” (L) SIGHT SIZE LOT 255 RALPH D. MCLELLAN, PORTRAIT OF A YOUNG GIRL IN WHITE, OIL ON CANVAS, SIGNED UPPER LEFT, FRAMED. 36 X 24 LOT 255 ROOM SIZE ORIENTAL RUG RED FIELD. 8.11 X 12.2 LOT 255 ROY LICHTENSTEIN, LINCOLN CENTER POSTER, LITHOGRAPH, CANVAS BACKING, UNFRAMED. 48 X 32-1/2 OVERALL LOT 255 SET OF SIX CANE SEAT ANTIQUE CHAIRS. 33-1/2″(H) LOT 255 SIGNED INDISTINCTLY, FUNGUS, PHOTOGRAPH, SIGNED LOWER RIGHT, DATED 1998, 12/14, FRAMED 6-1/2 X 6-1/2 SIGHT SIZE LOT 255 SIGNED, OVERLOOKING WATER TO THE TEMPLE, WATERCOLOR, SIGNED ILLEGIBLY BOTTOM RIGHT AND DATED 1926, FRAMED. 15-1/2 X 11 SIGHT SIZE LOT 255 SIGNED, ROBERT E. LEE, ETCHING, INSCRIBED “TENTH PROOF FROM COPPER PLATE”, ALSO AN ILLEGIBLE SIGNATURE, PUBLISHED BY CHARLES BARMORE, FRAMED. 16-1/2 X 14 SIGHT SIZE LOT 255 THREE INLAID DECORATED HINGED TOP BOXES. 3″(H) X 9-1/2″(W) X 6-1/2″(D), 4″(H) X 10″(W) X 4″(D), 2-1/2″(H) X 4-1/2″(W) X 3-1/2″(D) LOT 255 THREE INLAID DECORATED HINGED TOP BOXES. 3″(H) X 9-1/2″(W) X 6-1/2″(D), 4″(H) X 10″(W) X 4″(D), 2-1/2″(H) X 4-1/2″(W) X 3-1/2″(D) LOT 255 TIGER EYE STONE SEAL WITH CARVED FOO DOG TOP. 2-1/4″(H) LOT 255 TWO FRAMED ADVERTISEMENTS FOR WILLYS-KNIGHT AUTOMOBILES. 12 X 8-1/4 & 8-1/2 X 6 SIGHT SIZES LOT 255 TWO UNSIGNED ART GLASS VASES, ONE 11-1/2” JACK IN THE PULPIT VASE, THE OTHER BULBOUS FORM, 12”(H) LOT 255 UNSIGNED, 20TH C, PIGS AT THE TROUGH, OIL ON CANVAS, FRAMED. 20 X 24 LOT 255 UNSIGNED, THE OLD MISS, OIL ON CANVAS, FRAMED, 14 X 20 ← 1 2 3 … 136 137 138 139 140 141 142 … 179 180 181 →
