Home / OCTOBER 3 AT 6 PM OCTOBER 3 AT 6 PM Showing 1–60 of 392 results Default sorting Sort by popularity Sort by latest Sort by price: low to high Sort by price: high to low LOT 001 TWENTY-FOUR PC STERLING SILVER FLATWARE SET BY WALLACE IN THE “GRANDE BAROQUE” PATTERN. 23.7 OZT (EXCLUDING 8 KNIVES) LOT 002 THIRTY-THREE PC STERLING SILVER FLATWARE SET BY REED & BARTON IN THE “FRENCH ANTIQUE” PATTERN. 32.3 OZT (EXCLUDING 16 KNIVES) LOT 003 EIGHTY-ONE PC STERLING SILVER FLATWARE SET BY LUNT IN THE “WILLIAM & MARY” PATTERN, IN SILVER CHEST. 74 OZT (EXCLUDING 16 HOLLOW HANDLED PCS) LOT 004 SEVENTY-FOUR PC STERLING SILVER FLATWARE SET BY TOWLE IN THE “CHIPPENDALE” PATTERN IN SILVER CHEST. 58 OZT (EXCLUDING 24 HOLLOW HANDLED PCS) LOT 005 STERLING SILVER PUNCH LADLE BY WHITING IN THE “HERALDIC” PATTERN. 4.6 OZT, 14-1/2″(L) LOT 006 TWO PCS OF STERLING SILVER: (1) 8-3/4″(H) GORHAM WATER PITCHER. (2) 2-1/2″(H) X 10″(D) BOWL. 39.8 OZT LOT 007 LARGE MERIDEN & CO ANTIQUE SILVER PLATED PEDESTAL CENTER BOWL HAVING LARGE FIGURAL HEAD HANDLES, 14″(H), 13″(D), ALONG WITH A PAIR OF FIGURAL COMPOTE BASES IN SILVER PLATE. 9-1/4″(H) LOT 008 LEICA 35MM CAMERA (NO. 513735) AND ACCESSORIES INCLUDING 1:45 LENS, LEITZ KOPIER-APPARAT ELDIA; LEITZ OPTISCHES NAHEINST ELLGERAT NOOKY/NOOKYHESUM; LEITZ GMBH WETZLAR VISOFLEX 1 MIRROR REFLEX CAMERA ATTACHMENT & BELLOWS AND MORE. LOT 009 HERMES ROCKET TYPEWRITER IN LIGHT GREEN WITH COVER. 3″(H), 11-1/2 X 11-1/2 LOT 010 OUTSTANDING COLLECTION OF 6 AUSTRIAN STAMP ALBUMS, BEAUTIFULLY PRESENTED AND INVENTORIED CANCELED STAMPS. 1850-2003 LOT 011 FINE COLLECTION OF 118 STOCK CERTIFICATES MAINLY (105) RAILROADS PLUS OTHERS. HOUSED IN A FOLDER HAVING DOUBLE SIDED CLEAR VIEW PAGES LOT 012 WILLIAM MATTHEW PRIOR, PORTRAIT OF A YOUNG WOMAN, OIL ON BOARD, UNSIGNED, FRAMED, 15-1/ X 13-1/2″ SIGHT SIZE LOT 013 GIOVANNI BATTISTA PIRANESI, “VEDUTA DELLA PIAZZA DEL POPOLO”, ETCHING, 18TH C., FRAMED. 16 X 22-1/2 SIGHT SIZE LOT 014 WENCESLAUS HOLLAR, “PARTRIDGE HAWKING” ETCHING, FRAMED, 6-3/4 X 9 SIGHT SIZE LOT 015 WENCESLAUS HOLLAR, “HARE HUNTING” ETCHING, FRAMED 6-3/4 X 9, SIGHT SIZE LOT 016 WENCESLAUS HOLLAR, “STAGG HUNTING”, ETCHING, FRAMED, 6-3/4 X 9 SIGHT SIZE LOT 017 MAARTEN VAN HEEMSKERCK, UNTITLED, ENGRAVING DATED 1550, SIGNED IN PLATE, FRAMED. 9-1/2 X 7-1/2 LOT 018 BENJAMIN WEST, DEATH OF CICERO, PEN AND INK, UNSIGNED, FRAMED. 12-1/2 X 9 SIGHT SIZE LOT 019 THOMAS SULLY, FIGURE STUDIES; DOUBLE-SIDED DRAWING, PEN AND INK ON PAPER, FRAMED WITH DOUBLE GLASS TO VIEW BOTH DRAWINGS. UNSIGNED, FRAMED, 8-1/2 X 11 SIGHT SIZE LOT 020 THOMAS ROWLANDSON, “A RAT CATCHER”, WATERCOLOR, SIGNED LOWER RIGHT, FRAMED, SCOTT & FOWLES NY LABEL ON REVERSE. 5-3/4 X 9-1/2 IMAGE SIZE LOT 021 THOMAS ROWLANDSON, “FULL CRY IN THE GARDEN”, WATERCOLOR, OLD INSCRIPTION TO LEFT INDICATING SIGNED ON BACK. 6-1/4 X 9 SIGHT SIZE LOT 022 THOMAS ROWLANDSON, “DINNERS DREST IN THE NEATEST MANNER”, HAND COLORED ETCHING, FRAMED. 9-3/4 X 13-1/4 SIGHT SIZE LOT 023 THOMAS ROWLANDSON, “THE COBBLER’S CURE FOR A SCOLDING WIFE” HAND COLORED ETCHING, FRAMED. 13 X 9-1/4 SIGHT SIZE LOT 024 EXTREMELY RARE AND IMPORTANT HAVELL EDITION “VIRGINIA PARTRIDGE”, PLATE 76, FROM BIRDS OF AMERICA, ENGRAVED BY ROBERT HAVELL AND PUBLISHED 1827-1838, AQUATINT ENGRAVING WITH HAND COLORING, EXAMINED OUT OF FRAME, HINGE MOUNTED, WHATMAN 1831 WATERMARK. PAPER SIZE 24-7/8 X 37-5/8 LOT 025 AFTER JOHN JAMES AUDUBON, “GOLDEN-CROWNED THRUSH”, PLATE 143 NO. 29, LITHOGRAPH, NOT EXAMINED OUT OF FRAME, PROBABLY ABBEVILLE PRESS 1985 EDITION (350 SETS) SIGHT SIZE 23 X 15-1/4 LOT 026 AFTER JOHN JAMES AUDUBON, “SOLITARY SANDPIPER” NO. 58, PLATE 289, ABBEVILLE PRESS (350 SETS ISSUED IN 1985) WATERMARK OF ABBEVILLE PRESS, EXAMINED OUT OF FRAME, HINGE MOUNTED LITHOGRAPH, SIGHT SIZE 15 X 21-1/2, PAPER SIZE 27-1/2 X 39-1/2 LOT 028 STEPHEN G. MANIATTY, BLUE VASE OF WILD FLOWERS, OIL ON CANVAS, SIGNED LOWER RIGHT. 22 X 28 LOT 029 STEPHEN G. MANIATTY, “MONHEGAN IS., MAINE”, OIL ON MASONITE, SIGNED LOWER RIGHT, FRAMED. 10 X 14 LOT 030 STEPHEN G. MANIATTY, “YELLOW MUMS”, OIL ON MASONITE, SIGNED LOWER RIGHT, FRAMED. 24 X 16 LOT 031 STEPHEN G. MANIATTY, RED BARN ON THE HILL, WATERCOLOR, SIGNED BOTTOM RIGHT, FRAMED (NO GLASS). 14 X 21 SIGHT SIZE LOT 032 STEPHEN G. MANIATTY, “BROUGHTON’S POND-DEERFIELD”, OIL ON CANVAS BOARD, FRAMED. 16 X 24 LOT 033 STEPHEN G. MANIATTY, “DEERFIELD RIVER”, OIL ON CANVAS BOARD, SIGNED LOWER RIGHT, DATED 1966, FRAMED. 10 X 8 LOT 034 STEPHEN G. MANIATTY, CRASHING WAVES ON COASTAL LEDGE, OIL ON CANVAS BOARD, SIGNED LOWER RIGHT, FRAMED. 16 X 20 LOT 035 STEPHEN G. MANIATTY, “CHING, THE MANDARIN”, OIL ON MASONITE, SIGNED LOWER RIGHT, FRAMED. 20 X 16 LOT 036 STEPHEN G. MANIATTY, FLOWERING SHRUBS, WATERCOLOR, SIGNED LOWER RIGHT, FRAMED. 6-1/2 X 10 SIGHT SIZE LOT 037 STEPHEN G. MANIATTY, RED BARN IN EARLY SPRING, WATERCOLOR, UNSIGNED, FRAMED. 17-3/4 X 25 SIGHT SIZE LOT 038 STEPHEN G. MANIATTY, “INDIAN HOUSE, OLD DEERFIELD, MASSACHUSETTS”, PRINT, SIGNED IN PRINT, FRAMED. 17-1/2 X 25 SIGHT SIZE LOT 039 DONALD CARLISLE GREASON, “LA ATE ET LES PRATO? PARIS 1921” OIL ON CANVAS, SIGNED LOWER RIGHT, UNFRAMED, 15 X 18 LOT 040 DONALD CARLISLE GREASON, NOTRE DAME, PARIS, OIL ON CANVAS, UNSIGNED, UNFRAMED, 18 X 15 LOT 041 DONALD CARLISLE GREASON, “MILL POND, ROCKPORT “37”, OIL ON CANVAS, SIGNED LOWER RIGHT, UNFRAMED, 16 X 20 LOT 042 DONALD CARLISLE GREASON, “LAKE MARTLAND, FLORIDA 1957” OIL ON CANVAS, SIGNED AND TITLED ON REVERSE, UNFRAMED, 16 X 20 LOT 043 DONALD CARLISLE GREASON, “GLOUCESTER HARBOR 1955”, OIL ON CANVAS BOARD, SIGNED AND TITLED ON REVERSE, UNFRAMED, 12 X 16 LOT 044 DONALD CARLISLE GREASON, ARCHED BRIDGE IN SUMMER, OIL ON CANVAS, SIGNED LOWER LEFT, UNFRAMED, 10-1/2 X 16 LOT 045 DONALD CARLISLE GREASON, “VARIATION NO. 6 ON A THEME BY BOLFINCH, WHITE ON WHITE”, OIL ON CANVAS, SIGNED LOWER RIGHT, UNFRAMED, 16 X 20 LOT 046 DONALD CARLISLE GREASON, “ROCKY NECK, EAST GLOUCESTER AUG. 1955” OIL ON CANVAS BOARD, SIGNED LOWER RIGHT, UNFRAMED, 12 X 16 LOT 047 DONALD CARLISLE GREASON, “THE GREEN RIVER IN GREENFIELD, MASS.”, OIL ON CANVAS, SIGNED LOWER RIGHT, UNFRAMED, 12 X 16 LOT 048 DONALD CARLISLE GREASON, ABSTRACT STILL LIFE, OIL ON BOARD, UNSIGNED, UNFRAMED 12 X 10 LOT 049 THOMAS GEORGE, PORTRAIT OF FRANK BOYDEN, OIL ON CANVAS, SIGNED LOWER RIGHT AND DATED 36, FRAMED. 56 X 42 LOT 050 FRAMED DOCUMENT DATED, BOSTON, MAY 21, 1923, “AMENDING THE ACT ESTABLISHING DEERFIELD ACADEMY IN THE TOWN OF DEERFIELD” FRAMED WITH A BLUE RIBBON ADORNED QUILL PEN, 17-1/2 X 12-1/2 SIGHT SIZE LOT 051 TIM ENGELLAND, BABY STORK, WOODBLOCK PRINT IN COLORS, L.E. 3/35, 1993, SIGNED CENTER BOTTOM, UNFRAMED. 24 X 18 LOT 052 TIM ENGELLAND, “THE KNIGHT”, WOODBLOCK PRINT, L.E. 20/100, SIGNED AND DATED 1987 LOWER RIGHT, UNFRAMED. 22 X 12-3/4 LOT 053 TIM ENGELLAND, “RERIBBONED PIG”, L.E. 41/100, SIGNED LOWER RIGHT, DATED 1987, WOODBLOCK PRINT, UNFRAMED. 13 X 19 LOT 054 TIM ENGELLAND, “DETAIL-JOHN WILLIAMS HOUSE”, L.E. 6/50 WOODBLOCK PRINT, SIGNED AND DATED 92 BOTTOM RIGHT, UNFRAMED. 12-1/2 X 14 LOT 055 JOHN TAYLOR ARMS, “THE MAKING OF AN ETCHING” 3-PART WORK, INCLUDING AN ETCHING PLATE AND 2 IMPRESSIONS IN ONE FRAME PRESENTATION, 13-1/2 X 21-1/2, SIGHT SIZE LOT 056 FREDERICK KOONZ, SPRING THAW, OIL ON CANVAS, UNSIGNED FRONT, IDENTIFIED IN PENCIL ON BACK, FRAMED. 16 X 18 LOT 057 WILLIS SEAVER ADAMS, MAN SEATED BY WINDOW WITH PAPERS (SIMILAR TO “THE HISTORIAN” PLATE 17, WILLIS SEAVER ADAMS RETROSPECTION, DEERFIELD ACADEMY 1966, WATERCOLOR, SIGNED LOWER RIGHT, FRAMED. 20-1/2 X 14 SIGHT SIZE LOT 058 FINE CHERRY INLAID 1-DRAWER HEPPLEWHITE STAND WITH CUT CORNER TOP AND DELICATE TAPERED SQUARE LEGS. 27-1/4″(H), TOP 20″(W), 18-3/4″(D) LOT 059 A. HALE JOHNSON, RUSTY RELIC, OIL ON WOOD PANEL, SIGNED LOWER LEFT, FRAMED. 12 X 22 LOT 060 A. HALE JOHNSON, “VINALHAVEN BOATMAN”, OIL ON WOOD PANEL, SIGNED LOWER RIGHT, FRAMED. 8 X 16 LOT 061 A. HALE JOHNSON, SNOW BOUND, OIL ON WOOD PANEL, SIGNED LOWER RIGHT, FRAMED. 12 X 24 1 2 3 4 5 6 7 →
