Home / ANTIQUE AUCTION - FRI, FEBRUARY 23 AT 6 PM / Page 5 ANTIQUE AUCTION - FRI, FEBRUARY 23 AT 6 PM Showing 241–300 of 323 results Default sorting Sort by popularity Sort by latest Sort by price: low to high Sort by price: high to low LOT 241 DARK MINK FULL LENGTH COAT LOT 242 LIGHT MINK FULL LENGTH COAT LOT 243 POSTER: “COLUMBIA PRIDE DANCE”, EARL HALL 116TH ST & BROADWAY, NYC, BLACK & WHITE ON CARD STOCK. 22 X 17-1/2 LOT 244 POSTER: “RIVER CLUB, PHYSICAL ’83”, 491 WEST ST AT 12TH, NYC, BLACK & WHITE ON CARD STOCK. 12-1/2 X 19 LOT 245 POSTER: “RIVER CLUB, PIER GROUPS ’83”, 491 WEST ST, NYC, BLACK & WHITE ON CARD STOCK. 29-1/2 X 22-1/2 LOT 246 POSTER: “RIVER CLUB, “JOCKS AND SOCKS”, “THE PARTY FOR ATHLETES AND ATHLETIC SUPPORTERS”, COLOR POSTERS, 491 WEST ST AT 12TH, NYC, CARD STOCK. 31 X 22-1/2 LOT 247 FRAMED, “M1 ABRAMS”, TANK POSTER. 27-1/2 X 21-1/2 LOT 248 PETER MAX, “THE BETTER WORLD SERIES/2000”, POSTER, 1999, SIGNED AND INSCRIBED, FRAMED. 36 X 24 LOT 249 AFTER HONORE DAUMIER, “CRISPIN AND SCAPIN”, UNSIGNED, OIL ON BOARD, FRAMED. 15 X 18 LOT 250 UNSIGNED, ARCHANGEL ARIEL, CUZCO SCHOOL, OIL ON CANVAS, FRAMED. 27 X 19 LOT 251 UNSIGNED, 20TH C, FLORAL STILL LIFE, OIL ON WOOD PANEL, FRAMED. 10 X 8 LOT 252 JENS CHRISTIAN BENNEDSEN, WINTER STREAM, OIL ON CANVAS, SIGNED BOTTOM RIGHT, FRAMED. 13-1/2 X 10-1/2 LOT 253 GRAHAM GERCKEN, “AFTERNOON LIGHT COX RIVER, AUSTRALIA”, OIL ON BOARD, SIGNED LOWER RIGHT, FRAMED. 16 X 20 LOT 254 DORISE OLSON (MINA-MORA), BARN AND FENCE IN SNOW, WATERCOLOR, SIGNED LOWER LEFT, FRAMED. 11 X 13 SIGHT SIZE LOT 255 UNSIGNED, 20TH C, PIGS AT THE TROUGH, OIL ON CANVAS, FRAMED. 20 X 24 LOT 256 MELANIE FAIN, INTERIOR SEATED DOG, WATERCOLOR, SIGNED ON RIGHT BOTTOM SIDE EDGE AND DATED “94”, FRAMED. 23-1/4 X 15-1/2 LOT 257 FRITZ FRANTZ, 2 WORKS: BEACHED SHIP AND OFF THE BEACH, WATERCOLORS, IDENTICALLY FRAMED, SIGNED LOWER LEFT. 5 X 7-1/2 SIGHT SIZE LOT 258 ROBERT MALLORY, “VIXEN I”, LITHOGRAPH, SIGNED AND NUMBERED 2/16 LOWER LEFT, FRAMED. 26 X 17 LOT 259 THURLOW, MODERNIST ABSTRACT, OIL ON CANVAS, SIGNED LOWER LEFT, OUTLINE FRAME. 20 X 24 LOT 260 SIGNED, ELEPHANT PARADE, ETCHING, SIGNED ILLEGIBLY LOWER RIGHT AND ALSO “A.P.”, DATED “08”, FRAMED. 14 X 13 SIGHT SIZE LOT 261 LO, FOUR CRANES, LITHOGRAPH, SIGNED AND NUMBERED 32/100 ON MAT, FRAMED. 23-1/2 X 35-1/2 LOT 262 JIM BUCKELS, “TROUBLE IN WALNUT RIDGE”, LITHOGRAPH, SIGNED AND NUMBERED 287/300 ON BOTTOM EDGE. 26-1/2 X 38 SIGHT SIZE LOT 263 WOOSTER SCOTT, “THE LONG ROAD HOME”, LITHOGRAPH, PENCIL SIGNED AND NUMBERED VII/CL ON BOTTOM MARGIN, FRAMED. 21-1/4 X 29 LOT 264 SIGNED, SKIER AGAINST THE SUN, OIL ON CANVAS, SIGNED UPPER RIGHT ILLEGIBLY, FRAMED. 24 X 36 LOT 265 TED A. WASKELL, “DEER RUN”, OIL ON CANVAS, SIGNED LOWER LEFT, FRAMED. 22 X 14 LOT 266 DAVID MAASS, “INTO THE COVE-CANADA GEESE”, COLOR PRINT, PUBLISHED 1983 BY WILD WINGS OF LAKE CITY, MN, PENCIL SIGNED BOTTOM RIGHT, NUMBERED 6/950, UNFRAMED. 22 X 30 LOT 267 DAVID MAASS, “CANVASBACKS ON THE DELTA MARSH”, PUBLISHED BY AMERICAN WILDLIFE FOUNDATION, COLOR PRINT, PENCIL SIGNED BOTTOM RIGHT, NUMBERED 6/750, UNFRAMED. 22 X 30 LOT 268 DAVID MAASS, “CANVASBACKS”, COLOR PRINT, PUBLISHED BY CROSSROADS OF SPORT, 1966, PENCIL SIGNED BOTTOM RIGHT, NUMBERED 318/400 UNFRAMED. 29 X 39 LOT 269 OGDEN M. PLEISSNER, “CLOVE VALLEY”, COLOR PRINT, PUBLISHED IN 1981 BY CLOVE VALLEY ROD AND GUN CLUB, SIGNED IN PENCIL BOTTOM RIGHT, UNFRAMED, EDITION OF 156. 25 X 33-1/2 LOT 270 HARRY C. ADAMSON, “SWAMP MIST-MALLARDS”, PUBLISHED BY WILD WINGS, INC. 1977, COLOR PRINT, PENCIL SIGNED BOTTOM RIGHT, NUMBERED 37/580, UNFRAMED. 22-3/4 X 27 LOT 271 DAVID MAASS, “TRIPLE FLUSH-RUFFLED GROUSE”, PUBLISHED BY WILD WINGS, INC. 1992, COLOR PRINT, PENCIL SIGNED BOTTOM RIGHT, NUMBERED 6/950 UNFRAMED. 22 X 30 LOT 272 ORIENTAL SCATTER RUG, RED FIELD. 3.11 X 6 LOT 273 ORIENTAL KAZAK SCATTER RUG WITH BLUE FIELD. 2.9 X 4 LOT 274 ORIENTAL SCATTER RUG WITH BLUE FIELD. 2.4 X 3.11 LOT 275 ORIENTAL SQUARE RUG. 3.5 X 3.9 LOT 276 ORIENTAL SCATTER RUG WITH LIGHT BLUE FIELD AND 3 MEDALLIONS. 2.11 X 3.2 LOT 277 NADIA WIDOWSKI IRISH, “HEAR NO EVIL, SEE NO EVIL, SPEAK NO EVIL”, MONOTYPE AND LITHOGRAPH TRANSFER, TITLED AND SIGNED ON BOTTOM MARGIN, FRAMED. 19-1/2 X 25-1/2 SIGHT SIZE LOT 278 NADIA WIDOWSKI IRISH, “THE LADIES FROM CRETE”, COLLAGRAPH, SIGNED, TITLED AND “UNIQUE” ON BOTTOM MARGIN, FRAMED. 12-1/4 X 15-3/4 SIGHT SIZE LOT 279 NADIA WIDOWSKI IRISH, “TWENTIETH CENTURY PUEBLO”, COLOR VARIATION MONOTYPE, SIGNED, TITLED AND NUMBERED 1/10 ON BOTTOM MARGIN, FRAMED. 16 X 14-1/4 SIGHT SIZE LOT 280 NADIA WIDOWSKI IRISH, “NOVEMBER”, MONOTYPE, SIGNED, TITLED AND NUMBERED 1/10 ON BOTTOM MARGIN, FRAMED. 20-1/2 X 14-1/2 SIGHT SIZE LOT 281 NADIA WIDOWSKI IRISH, TREE WITH MOUNTAIN AND SUN, MONOTYPE, SIGNED AND NUMBERED 1/15 ON BOTTOM MARGIN, MATTED WITH ROUND WINDOW, FRAMED. 10-1/4″(D) LOT 282 MARY TINKER HATCH, “INTERTICES III”, LITHOGRAPH, SIGNED, TITLED AND NUMBERED 6/10 IN PENCIL ON BOTTOM MARGIN, FRAMED. 16-1/2 X 17 SIGHT SIZE LOT 283 JANET KLEININGERSHIP?, CASTLE SCENE, WATERCOLOR, SIGNED BOTTOM RIGHT, FRAMED. 17 X 23-3/4 LOT 284 TERI MALO, “QUIET EVENING”, SIGNED, NUMBERED 10/17 AND TITLED ON BOTTOM MARGIN, FRAMED. 16 X 20-1/2 SIGHT SIZE LOT 285 UNSIGNED, ABSTRACT WITH WINDOW, NICELY FRAMED. 16-3/4 X 12-3/4 SIGHT SIZE LOT 286 UNSIGNED, ABSTRACT WITH WINDOW, NICELY FRAMED. 16-3/4 X 12-3/4 SIGHT SIZE LOT 287 UNSIGNED, COLORFUL ABSTRACT, NICELY FRAMED. 11-1/4 X 15 LOT 288 UNSIGNED, COLORFUL ABSTRACT, NICELY FRAMED. 11-1/4 X 15 LOT 289 MICHA ARCHER, “SUNSET’S NAP” 2002, WATERCOLOR, SIGNED BOTTOM RIGHT, FRAMED. 10-1/4 X 14-1/2 SIGHT SIZE LOT 290 WILLIAM KENT, “WASP”, PRINT FROM A CARVED SLATE PLATE, SIGNED LOWER RIGHT AND DATED 1963, NUMBERED 9/40, FRAMED. 10-1/4 X 10-1/4 SIGHT SIZE LOT 291 BOLLING, “THE THREE SISTERS”, ETCHING, SIGNED BOTTOM RIGHT, ALSO TITLED AND “A/P”, FRAMED. 9-1/2 X 11-3/4 LOT 292 CAROL A. PELLETIER, “SUMMER, EARLY AUTUMN”, OIL ON PAPER, SIGNED IN PENCIL UNDER WORK, DATED “01”, LABEL TO REVERSE, FRAMED. 5-1/2 X 5 LOT 293 ANNE KUSIAK, “NEW ENGLAND GOLD”, PASTEL, SIGNED LOWER RIGHT, FRAMED. 8-1/4 X 11-1/4 SIGHT SIZE LOT 294 A. DEMARAIS, ABSTRACT STAIRWAY, AFTER A PAINTING BY JOSEPH DEMARAIS, SIGNED AND NUMBERED 86/100 BOTTOM MARGIN, FRAMED. 11 X 10 SIGHT SIZE LOT 295 EMILY SHEAR MYEROW, “ORANGE CHAIR IN A ROOM OF AMAZING SHAPES”, PASTEL, SIGNED LOWER RIGHT DATED 1989, FRAMED. 12-1/4 X 13 LOT 296 CAROLINE DINUNZIO, “JAPANE ANGEL”, ETCHING, SIGNED TITLED AND NUMBERED 20/55 IN PENCIL ON BOTTOM MARGIN, FRAMED. 9-1/2 X 7-1/2 LOT 297 FLORENCE YOSHIKO MONTGOMERY, “TENDER, THE VINE”, OIL & MARKERS ON PAPER, INITIALED BOTTOM RIGHT, EXHIBITION LABEL TO REVERSE, FRAMED. 11 X 7 LOT 298 SYLVIA IRISH, 2 WORKS: ABSTRACT IMAGES, ETCHINGS, SIGNED LOWER LEFT DATED 1982, NUMBERED 1/1, 1/1, FRAMED. 7-1/2 X 6-1/2 LOT 299 SYLVIA IRISH, “60 WATTS”, ETCHING, SIGNED, NUMBERED 6/6 AND DATED 9/25/81 BOTTOM MARGIN, FRAMED. 14-1/4 X 10-1/4 SIGHT SIZE LOT 300 SYLVIA IRISH, SEATED NUDE WITH CLUB, ETCHING, SIGNED, DATED 1982 AND NUMBERED 1/1 BOTTOM MARGIN, FRAMED. 12-3/4 X 10 SIGHT SIZE ← 1 2 3 4 5 6 →
